Monday 27 April 2009

A Business as Risky as It Is Risqué
Two brothers in Pakistan have taken extreme measures to conceal their factory for fetish and bondage products, a dangerous business in a conservative Muslim country.
By ADAM B. ELLICK
KARACHI, Pakistan — In Pakistan, a flogger is known only as the Taliban’s choice whip for beating those who defy their strict codes of Islam.
But deep in the nation’s commercial capital, just next door to a mosque and the offices of a radical Islamic organization, in an unmarked house two Pakistani brothers have discovered a more liberal and lucrative use for the scourge: the $3 billion fetish and bondage industry in the West.
On the right is the picture of a factory worker assembling a flogging whip manufactured by AQTH, a Karachi-based fetish and bondage products company.
Their mom-and-pop-style garment business, AQTH, earns more than $1 million a year manufacturing 2,000 fetish and bondage products, including the Mistress Flogger, and exporting them to the United States and Europe.
The Qadeer brothers, Adnan, 34, and Rizwan, 32, have made the business into an improbable success story in a country where bars are illegal and the poor are often bound to a lifetime in poverty.
If the bondage business seems an unlikely pursuit for two button-down, slightly awkward, decidedly deadpan lower-class Pakistanis, it is. But then, discretion has been their byword. The brothers have taken extreme measures to conceal a business that in this deeply conservative Muslim country is as risky as it is risqué.
It helps that the dozens of veiled and uneducated female laborers who assemble the handmade items — gag balls, lime-green corsets, thonged spanking skirts — have no idea what the items are used for. Even the owners’ wives, and their conservative Muslim mother, have not been informed.
“If our mom knew, she would disown us,” said Adnan, seated on a leopard-print fabric covering his desk chair.
“Due to cultural barriers and religion, people don’t discuss these things openly,” Rizwan said. “We have to hide this information.”
Even customs officials were perplexed at how to tax the items, not quite sure what they were, they said.
Recently, when a curious employee inquired about the purpose of the sleep sack, a sleeping bag-like product used in certain kinds of bondage, she was told it was a body bag for the American military in Iraq.
Adnan Ahmed, a former air traffic controller who is now AQTH’s chief operating officer, said the items were undergarments. When asked if he considered a red-hot puppy mask an undergarment, he had a straightforward, but honest reply: “No. It’s just for joking.”
Still, word of the business has at times escaped. Last year four “powerful guys” from a conservative Muslim group threatened to burn down the factory if it was not closed within a week. The brothers calmly explained that it was merely a business, and that the items were not used in Pakistan. The next day they bribed a local Islamic political organization to ensure their safety.
These days, the gravest danger is Pakistan’s crumbling economy. The brothers idolize former President Pervez Musharraf, crediting their success to his industry friendly policies, like not requiring export licenses and banning trade unions. When Mr. Musharraf resigned last year, the brothers “didn’t eat for three days,” Adnan said.
Since President Asif Ali Zardari took office, Adnan said, trade unions have been legalized and prices of some raw materials, including leather, have shot up, as have interest rates. The result: a 15 percent dip in AQTH’s profits.
Echoing the pervasive fears of entrepreneurs across the country, the brothers are considering relocating to East Asia if Pakistan becomes more unstable — or if they receive another threat.
The shoddy factory seems like an ode to their humble upbringing. Adnan’s executive bathroom has no toilet paper. Rizwan has no office. And their preferred lunch is Kentucky Fried Chicken.
Their inspiration for success came from their father, a civil servant who supported a family of six with a $150 monthly salary. While other children were forced into labor, or played aimlessly, the Qadeer brothers had to study.
In 2001, after the brothers graduated from a university, their father lent them $800, enough to purchase their first computer and to cover several months of rent in a studio apartment. There, the brothers searched the Internet day and night for a high-value garment product that was not widely available.
They experimented with basic leather goods, like jackets and pants. Adnan slept at mosquito-infested stitching factories to oversee sample runs that, in the end, proved more costly than their Chinese competitors.
“It was very hard time,” Adnan said. “We had nothing in our pockets, not even money to fuel our motorbike.”
“People used to say: ‘You can’t do business in Pakistan. You’re wasting your time. Just go get a job,’ ” Rizwan said. “But our father boosted our morale.”
The brothers said Pakistan’s “stone-age production” worked to their advantage. The country, they said, lacks visionary product development. “Everyone’s still making the same products," Adnan said.
Then, they discovered a kind of straitjacket online. At first, they thought it was used for psychiatric patients, but it quickly led them to learn about the lucrative fetish industry.
Without family connections in the finance industry, and with nothing to mortgage, they were refused a loan by four banks. “Our education was our only connection,” Rizwan said.
They finally secured a loan from an American bank, and then the Sept. 11 attacks offered a timely chance. Orders for garment exports were canceled across Pakistan in the slower economic climate, allowing the prices of raw materials like leather to be cut in half.
But fear after Sept. 11 raised suspicions among their own Western clients. On Sept. 12, 2001, a customer sent an e-mail message with a photo of two F-16s flying over Pakistan. Orders were canceled.
Today, they sell their products to online and brick-and-mortar shops, and to individuals via eBay. Their market research, they said, showed that 70 percent of their customers were middle- to upper-class Americans, and a majority of them Democrats. The Netherlands and Germany account for the bulk of their European sales.
“We really believe that if you are persistent and hard working, there is an opportunity, in any harsh environment, even in an economically depressed environment like Pakistan,” Rizwan said.
A major perk, they say, is attending international fetish shows to see how their products hold up in action.
“I go to Sin City every year,” said Rizwan, referring to Las Vegas in a sheepish laugh. It’s all business, he said. “Clients know our country and culture, and they don’t invite us to participate. We’re a little bit shy.” [From Internet]

Thursday 23 April 2009

Scientists inch closer to cracking Indus Valley script:
The new study statistically strengthens the assumption that the Indus script represents a language
Seema Singh
Bangalore: Scientists may have moved a step closer to deciphering one of the three oldest languages in the world, that of the Indus Valley civilization by, interestingly enough, making a case that the markings found on artefacts from that era do indeed represent an underlying language and are not random marks.
The language was spoken at least 4,000 years ago in what is now north-west India and the eastern part of Pakistan, and 130 years after the first details of this script came to light and at least 100 failed attempts to decode it, the Indus script remains undeciphered.
There have even been studies that claimed it isn’t a script and doesn’t represent a language. Now, a team of Indian scientists reports in Friday’s issue of Science journal that the Indus script has a structured sign system showing features of a formal language. Using mathematical and computational tools, researchers show that the script has well-defined signs, which begin and end texts, with strong correlations in the order in which the signs appear.
This is the first evidence supporting the hypothesis that the script represents an as-yet-unknown language, say co-authors Nisha Yadav and Mayank N. Vahia from the Tata Institute of Fundamental Research and Centre for Excellence in Basic Sciences in Mumbai. Other co-authors of the study are Rajesh P.N. Rao, computer scientist from the University of Washington; Hrishikesh Joglekar, a software engineer in Oracle India, Mumbai; R. Adhikari, faculty of the physics department at the Institute of Mathematical Sciences, Chennai; and I. Mahadevan, researcher at the Indus Research Centre, Chennai.
Several artefacts dating to the 2500-1900 BC Indus civilization have been found to contain symbols, but the question hasn’t been definitively answered whether they are just pictograms or have any relation to a spoken language. This time around, the researchers applied techniques of computer science, machine learning in particular, to compare the Indus script patterns to known linguistic scripts as well as to non-linguistic systems such as the human DNA and protein sequences. An artificially created linguistic system such as Fortran, a computer language, was also used for reference.
Among the linguistic scripts, texts of English, Old Tamil, Rig Vedic Sanskrit and of the Sumerian language spoken in Mesopotamia, another civilization that thrived around 4,000 years ago, were used for comparison. What was compared was the permissible randomness in choosing a sequence. It is this randomness, which allows flexibility in composing words or sentences. But even within this randomness, there is always a clear pattern in a script that represents a language. In contrast, DNA sequences are completely random.
The results show that the Indus inscriptions were different from any of the non-linguistic systems, says Rao of the University of Washington. The finding of the study marks a considerable leap from a provocative 2004 paper titled The Collapse of the Indus-Script Thesis that claimed the short inscriptions had no linguistic content, somewhat implying that the literacy of the Harappan civilization was a myth. Its lead author offered a $10,000 (Rs5 lakh) reward to whoever produced an Indus artefact that contained more than 50 symbols.
The new study, indeed, statistically strengthens the assumption that the Indus script represents a language, says Nayanjot Lahiri, professor of ancient history at Delhi university. “The major problem, though, still remains: which language or languages? The script still remains undeciphered, notwithstanding the decades of scholarship that have been invested in trying to find the key to it.”
The biggest impediment in the decipherment, according to another historian from Delhi university, K.M. Shrimali, is the fact that no bilingual text has been discovered from that period, which would help calibrate the Indus script. “Unless something comparable to the Rosetta Stone (the bilingual text that helped decipher the Egyptian hieroglyphics) is found, it’s difficult to decipher the Indus script,” he says.
Lack of bilingual text certainly makes the problem more challenging, say Yadav and Vahia, but there have been examples in history where scripts have been deciphered without this aid. “While we all hope to find an Indus Rosetta Stone one day, its absence should not prevent us from exploring other means to understand the script.”
The present study has been funded by Sir Jamsetji Tata Trust and the Packard Foundation, set up by Hewlett-Packard co-founder David Packard. However, lot more work needs to be done before researchers can convincingly say what the content of the script is and what each sign represents, though the statistical analysis shows a small number of signs account for the majority of the usage.
The team’s work, though, is cut out: to analyse the structure and syntax of the script and deduce its grammatical rules. “We are trying to write the ‘script’ before we can begin reading it,” says Yadav.